Keith Gamble`s Art House Gathering? what is that! you may be asking. For 2012, I am starting an arts series of those things I love and enjoy. That`s right - I! Many of you (if not all) may be saying "who the hell are you?" I can understand that, but my answer to that question is I am my Mother`s son, and a believer of God who accepts Jesus as his savior; that`s who I am, and by the way - I`m a jazz saxophonist. Keith Gamble`s Art House Gatherings are going to be get-togethers where we eat, play and listen to music, drink coffee, and partake in the featured artistic event that has been planned. My gatherings will take place tri-annually: March, July, and November, with each gathering having a specific theme and activity.
Some of my gatherings will focus on one of my music students, or former students involved in the arts or humanities. Other gatherings will simply feature me in post-bop/avant-garde jazz performance, with CDs for sell.
My first Keith Gamble`s Art House Gathering is scheduled for Saturday, March 10, 2012, at the Phoenix Cafe in Hazel Park, MI, at 8pm. This gathering is called "Bird", and will be celebrating the music of Charlie "Bird" Parker. This gathering celebrating Charlie Parker will include coffee and cake, me playing pieces from Charlie Parker, the Clint Eastwood film "Bird", and a jam session following the movie. All this for only $6.00 at the door.
If you are interested in Charlie Parker check-out my October 11, 2011 blog called African American Art and Culture: The art music of Charlie Parker. That blog should give you some information on Charlie Parker, and hopefully motivate you to research Charlie Parker, and the bebop era. I hope to see you at my very first Keith Gamble`s Art House Gathering.
Tuesday, January 31, 2012
Sunday, January 22, 2012
Post-Bop and Avant-Garde Jazz Saxophonist Keith Gamble: Adult learners of music
Post-Bop and Avant-Garde Jazz Saxophonist Keith Gamble: Adult learners of music: Many times in social settings when the discussion turns to - what do you do for a living? Of course my response is "I am a musician and...
Adult learners of music
Many times in social settings when the discussion turns to - what do you do for a living? Of course my response is "I am a musician and independent music teacher". What follows are comments such as "I use to play the ...", or "I would love to play the ..., but am I too old to learn to the ...?" No! one is never too old to learn to play an instrument. I once had a violin student who was in her 80`s, and the joy she experienced learning and playing is one of the highlights in my career.
Currently I have adult students playing clarinet, flute, and saxophone. I registered a new adult flute student from my New Years Day perfromance with vocalist Janice Simon at St. Patrick Catholic Church, in Detroit. Many adults are truly interested. I have found adult learners take-up playing an instrument for their enjoyment and relaxation, but there are also adult students taking music lessons to enter into a career in music.
So adult, whether you are looking to take recreational music making (RMM), or music lessons to play on stage as an amateur or professional musician, it is never too late to take lessons.
Currently I have adult students playing clarinet, flute, and saxophone. I registered a new adult flute student from my New Years Day perfromance with vocalist Janice Simon at St. Patrick Catholic Church, in Detroit. Many adults are truly interested. I have found adult learners take-up playing an instrument for their enjoyment and relaxation, but there are also adult students taking music lessons to enter into a career in music.
So adult, whether you are looking to take recreational music making (RMM), or music lessons to play on stage as an amateur or professional musician, it is never too late to take lessons.
Monday, December 19, 2011
Post-Bop and Avant-Garde Jazz Saxophonist Keith Gamble: Some film experiences to share
Post-Bop and Avant-Garde Jazz Saxophonist Keith Gamble: Some film experiences to share: I can only speak for myself, but being a jazz musician in Detroit means hard work creating opportunities to perform. Teaching music is ...
Some film experiences to share
I can only speak for myself, but being a jazz musician in Detroit means hard work creating opportunities to perform. Teaching music is my bread and butter for making a living, while I am attending rehearsals, finding gigs to play, and from time to time playing gigs. Of course I`m always enjoying a nice hot cup of joe, but unfortunately I am not always able to partake in my passion for film. However, during the months of November and December I did have the joy of experiencing some film pleasure.
From November 2-6, the city of Ferndale hosted the Ferndale Film Festival, at the Ferndale Public Library. Maybe it is just me, but it seems everytime I attend a film festival there is a film about Detroit. Part of me appreciates the attention given to my city, but then I wonder how much of this attention is just a chance for film makers to make their mark, and establish their film careers at the expense of Detroit. Strong From Detroit, by Jeremy Olstyn dealt with the failure of the city`s school system, and some students illegally going to schools outside the city. This documentary follows the usual script of shadowing an African-American student, or city resident as he tells everyone about life in the ghetto. I find Olstyn and his doc to be rather patronizing. Another documentary about Detroit is an Erin Curd doc entitled Gentlemen`s Club. Don`t let the title fool you, Gentlemen`s Club is a documentary about fifth grade boys at a Detroit Public School who belong to an after school program that has a major effect on the lives of the children in the program. The Gentlemen`s Club is an inspiring documentary that ask questions of race and economic privilege. Angel Connell`s Beneath The Veneer Of A Murder was a disappointment, especially after reading the synopsis, and viewing the trailer; I was expecting something on the order of Hitchcock, but, oh well.
The film that did deliever was Fractured Minds, by Frank Battiston. This was a disturbing film on the level of Texas Chainsaw Massacre. Frank Battiston is a film maker I am not too familiar with, but after seeing Fractured Minds I will be looking forward to seeing more films from Frank Battiston. Other films I recommend finding from the Ferndale Film Festival are Phil Baumhadt`s Tree Of The Valkyrie, and Atroz, by Francisco A. Ivarez.
My friends and I from the Royal Oak Over-40 Movie Group viewed the Jeff Nichols film Take Shelter. Throughout the film one is left wondering if Curtis ( played by Michael Shannon ) is psychic, or just plain nuts. Take Shelter is about a man who has apocalyptic visions of a destructive storm, and acts upon his fears by building a storm shelter to protect his family, but at great cost to him with the loss of money, his job, friends, and standing in his community. This movie moves at a slow pace, and no one can accuse Take Shelter of having the classic happy Hollywood ending. Take Shelter is not a film I would recommend to my friends. Take Shelter will not make my favorite films list, but J. Edgar will!
Bravo to another Clint Eastwood film, and Di Caprio was masterful. I think it is safe to say most Americans familiar with J. Edgar Hoover have heard all the stories of him, and let`s face-it; it`s not flattering, and it shouldn`t be. Clint Eastwood give us historical context to understand the story, while Leonardo Di Caprio does justice to Hoover by portraying him as a man shaped by history. This is a film to see, and yes, it is making my list.
Black Swan is one of those films I missed when it came-out, but thanks to The Association For Psychoanalytic Thought of the Michigan Psychoanalytic Society, I was finally able to see some of the film. Films view with the APT are analyzed and discussed, with those in attendance only seeing parts of the film. The discussions are enlightening, and gives one a perspective that may not have been considered. Something I found interesting was the theme shared by Black Swan, and the film that did not make my list of favorites - Take Shelter. Both films share the theme of hallucinations.
From November 2-6, the city of Ferndale hosted the Ferndale Film Festival, at the Ferndale Public Library. Maybe it is just me, but it seems everytime I attend a film festival there is a film about Detroit. Part of me appreciates the attention given to my city, but then I wonder how much of this attention is just a chance for film makers to make their mark, and establish their film careers at the expense of Detroit. Strong From Detroit, by Jeremy Olstyn dealt with the failure of the city`s school system, and some students illegally going to schools outside the city. This documentary follows the usual script of shadowing an African-American student, or city resident as he tells everyone about life in the ghetto. I find Olstyn and his doc to be rather patronizing. Another documentary about Detroit is an Erin Curd doc entitled Gentlemen`s Club. Don`t let the title fool you, Gentlemen`s Club is a documentary about fifth grade boys at a Detroit Public School who belong to an after school program that has a major effect on the lives of the children in the program. The Gentlemen`s Club is an inspiring documentary that ask questions of race and economic privilege. Angel Connell`s Beneath The Veneer Of A Murder was a disappointment, especially after reading the synopsis, and viewing the trailer; I was expecting something on the order of Hitchcock, but, oh well.
The film that did deliever was Fractured Minds, by Frank Battiston. This was a disturbing film on the level of Texas Chainsaw Massacre. Frank Battiston is a film maker I am not too familiar with, but after seeing Fractured Minds I will be looking forward to seeing more films from Frank Battiston. Other films I recommend finding from the Ferndale Film Festival are Phil Baumhadt`s Tree Of The Valkyrie, and Atroz, by Francisco A. Ivarez.
My friends and I from the Royal Oak Over-40 Movie Group viewed the Jeff Nichols film Take Shelter. Throughout the film one is left wondering if Curtis ( played by Michael Shannon ) is psychic, or just plain nuts. Take Shelter is about a man who has apocalyptic visions of a destructive storm, and acts upon his fears by building a storm shelter to protect his family, but at great cost to him with the loss of money, his job, friends, and standing in his community. This movie moves at a slow pace, and no one can accuse Take Shelter of having the classic happy Hollywood ending. Take Shelter is not a film I would recommend to my friends. Take Shelter will not make my favorite films list, but J. Edgar will!
Bravo to another Clint Eastwood film, and Di Caprio was masterful. I think it is safe to say most Americans familiar with J. Edgar Hoover have heard all the stories of him, and let`s face-it; it`s not flattering, and it shouldn`t be. Clint Eastwood give us historical context to understand the story, while Leonardo Di Caprio does justice to Hoover by portraying him as a man shaped by history. This is a film to see, and yes, it is making my list.
Black Swan is one of those films I missed when it came-out, but thanks to The Association For Psychoanalytic Thought of the Michigan Psychoanalytic Society, I was finally able to see some of the film. Films view with the APT are analyzed and discussed, with those in attendance only seeing parts of the film. The discussions are enlightening, and gives one a perspective that may not have been considered. Something I found interesting was the theme shared by Black Swan, and the film that did not make my list of favorites - Take Shelter. Both films share the theme of hallucinations.
Sunday, December 4, 2011
Post-Bop and Avant-Garde Jazz Saxophonist Keith Gamble: Thank you, Himie Voxman
Post-Bop and Avant-Garde Jazz Saxophonist Keith Gamble: Thank you, Himie Voxman: Whatever in life we do, we owe thanks to people we have never met. Our success as individuals rest on the shoulders of those who have c...
Thank you, Himie Voxman
Whatever in life we do, we owe thanks to people we have never met. Our success as individuals rest on the shoulders of those who have come before us. As a saxophonist I say thanks to the late Himie Voxman. I have never met this man, and if I sat next to him on a bus I would not have had a clue who he was. So why am I writing a blog about a man who I could not recognize on a bus? because he was a great influence to many of us who play woodwind instruments; in my case saxophone.
Himie Voxman was a clarinetist who believed in the possibilities of the saxophone, and carried out his believe by writing saxophone methods for the instrument. Himie Voxman is also known for being the teacher of world renowned concert saxophonist Eugene Rousseau. In 1939, Voxman joined the teaching staff at the University of Iowa; retiring in 1980. In 1995, the University of Iowa School of Music honored him by renaming their music building the Voxman Music Building. Himie Voxman died on November 22, 2011, at the age of 99, at his retirement residence.
When I was a music education major at Oakland University, my concert saxophone teacher Dr. James Dawson assigned the Voxman Saxophone Method as my study method. The Voxman method challenged me greatly with sequential studies in all major and minor keys, technique, and studies of expression and interpretation. Voxman has provided not just saxophonist, but all of us who play woodwind family insturments with music resources we can study, play, and enjoy.
Although I ( and probably others who play woodwinds ) would not have known I was sitting next to Himie Voxman on that imaginary bus, I am thankful to Himie Voxman for gathering and publishing studies for me grow and develop as a saxophonist. Himie Voxman is one of those people who I have never met, but is responsible for the music studies that make-it possible for me to board that bus to the concert hall where I am playing.
Himie Voxman was a clarinetist who believed in the possibilities of the saxophone, and carried out his believe by writing saxophone methods for the instrument. Himie Voxman is also known for being the teacher of world renowned concert saxophonist Eugene Rousseau. In 1939, Voxman joined the teaching staff at the University of Iowa; retiring in 1980. In 1995, the University of Iowa School of Music honored him by renaming their music building the Voxman Music Building. Himie Voxman died on November 22, 2011, at the age of 99, at his retirement residence.
When I was a music education major at Oakland University, my concert saxophone teacher Dr. James Dawson assigned the Voxman Saxophone Method as my study method. The Voxman method challenged me greatly with sequential studies in all major and minor keys, technique, and studies of expression and interpretation. Voxman has provided not just saxophonist, but all of us who play woodwind family insturments with music resources we can study, play, and enjoy.
Although I ( and probably others who play woodwinds ) would not have known I was sitting next to Himie Voxman on that imaginary bus, I am thankful to Himie Voxman for gathering and publishing studies for me grow and develop as a saxophonist. Himie Voxman is one of those people who I have never met, but is responsible for the music studies that make-it possible for me to board that bus to the concert hall where I am playing.
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