As an educator I know the value of education, and it`s not just simply to get a job, but how to think. Don`t get me wrong, I am not diminishing the importance of seeking employment; getting a job is something to be celebrated, especially in times of economic and political uncertainty. I am saying education allows you the opportunity to live your dreams by creating your dreams, and giving you the intellectual and practical tools you need to bring those dreams to reality. But just how accessible is education to everybody? I would say here in the United States education is very accessible to American citizens. Sure, there are debates and arguments regarding the quality education in the US, but in general, education is accessible to Americans. How accessible is education to others around the World, especially for girls?
To Educate A Girl seeks to answer this question - what does it take to educate a girl? This documentary from producers/directors Frederick Rendina and Oren Rudavsky is in response to the United Nations global initiative to provide girls with equal access to education by 2015. To Educate A Girl had its debut at the October 10, 2010 Mill Valley Film Festival, with a LINK TV broadcast premiere on June 24, 2011, and was rebroadcast on June 28. This is an important documentary to see, and you can view it now by going to http://www.viewchange.org/videos/to-educate-a-girl.
As a father of a beautiful daughter who means the world to me, I want my daughter to have equal access to education, and other opportunities open and available to all. Let me know what you think; post a comment to this blog.
Wednesday, June 29, 2011
Monday, June 13, 2011
Does Christianity keep African Americans believing in fairy tales?
I found an on-line article in the Examiner - San Francisco, at www.examiner.com/dating-advice-in-san-francisco/ entitled Christianity Keeps African Americans Believing In Fairy Tales (San Francisco, Oct. 14, 2010). I urge you to go to the link and see what Deborrah Cooper has to say.
I have notice many times people speak of the Church in generalizations, and this seems to be what Cooper is doing in her article. Cooper ask the question whether or not the Black Church has outlived it usefulness to Black Americans? Does this question deserve a response? The Church represents salvation in the name of Jesus Christ - our Lord and Savior, and is based upon our Faith in the Holy Trinity; Faith, not fairy tales. So, how does the Church outlive its usefulness? it doesn`t! not for believers.
Ms. Cooper goes on to pin-point problems in the African American community by talking about statistics saying "statistically, Black people are the most religious ethnic group in the nation, yet have the highest rate of incarceration, poverty, infant mortality, single parent homes, unemployment, and HIV/AIDS". Look, we cannot deny these problems exist in our communities, but our problems also stem from an unique history that to this day still negatively effects us economically, educationally, psychologocally, and sociologically. If anything, those problems sited gives more relevance to the importance of Christianity developing Faith, and serving the needs of believers and non-believers.
Church is not a hindrance to Black achievement; it celebrates it. The Black Church has provided a templet for many of us to learn how to function in business, politics, and other areas of human endeavors. Cooper talks about limitations placed on our minds, achievements, and relationships, thanks to Christianity, but it seems to me having Faith increases those areas of our lives.
At the end of the day each person is responsible for what they believe or do not believe. I believe the 66 books of the Bible are the sacred words of God given to us as an account of history, poems, songs, and stories that many of us live by, because we do believe, and we choose to believe. For non-believers who choose to view Christianity as simply fairy tales, you have the right to do so, especially in a free society, but for those of us who believe, we call it Faith.
I have notice many times people speak of the Church in generalizations, and this seems to be what Cooper is doing in her article. Cooper ask the question whether or not the Black Church has outlived it usefulness to Black Americans? Does this question deserve a response? The Church represents salvation in the name of Jesus Christ - our Lord and Savior, and is based upon our Faith in the Holy Trinity; Faith, not fairy tales. So, how does the Church outlive its usefulness? it doesn`t! not for believers.
Ms. Cooper goes on to pin-point problems in the African American community by talking about statistics saying "statistically, Black people are the most religious ethnic group in the nation, yet have the highest rate of incarceration, poverty, infant mortality, single parent homes, unemployment, and HIV/AIDS". Look, we cannot deny these problems exist in our communities, but our problems also stem from an unique history that to this day still negatively effects us economically, educationally, psychologocally, and sociologically. If anything, those problems sited gives more relevance to the importance of Christianity developing Faith, and serving the needs of believers and non-believers.
Church is not a hindrance to Black achievement; it celebrates it. The Black Church has provided a templet for many of us to learn how to function in business, politics, and other areas of human endeavors. Cooper talks about limitations placed on our minds, achievements, and relationships, thanks to Christianity, but it seems to me having Faith increases those areas of our lives.
At the end of the day each person is responsible for what they believe or do not believe. I believe the 66 books of the Bible are the sacred words of God given to us as an account of history, poems, songs, and stories that many of us live by, because we do believe, and we choose to believe. For non-believers who choose to view Christianity as simply fairy tales, you have the right to do so, especially in a free society, but for those of us who believe, we call it Faith.
Monday, June 6, 2011
Clarinet and saxophone players; what kind of reed are you using, and why?
Someone once told me a long time ago that reeds are like underware; very personal. I don`t think reeds are so personal we can`t talk about our favorite brand(s), but I do think reeds are personal from the standpoint of us as clarinetist and saxophonist finding our artistic voice. I have to say on tenor saxophone the Rico Royal - #3 is my personal favorite.
I enjoy the Rico Royal because it is for my money the most consistent, enjoyable, reliable, and trustworthy reeds I have played. The Rico Royal works well in classical, jazz, and vernacular music styles, as I said, the Rico Royal is consistent!
Rico Royals are reeds that are products of Rico Reeds, which is a division of D`Addario & Company, Inc. The Rico Royal is one of seven classical tenor saxophone reeds produced by Rico. Characterist of the Rico Royal is its traditional French filed cut for increased response, especially in the low register of the saxophone.
That`s my choice, but what is yours? Post your answer in the comment section of this blog, and please, join my blog.
I enjoy the Rico Royal because it is for my money the most consistent, enjoyable, reliable, and trustworthy reeds I have played. The Rico Royal works well in classical, jazz, and vernacular music styles, as I said, the Rico Royal is consistent!
Rico Royals are reeds that are products of Rico Reeds, which is a division of D`Addario & Company, Inc. The Rico Royal is one of seven classical tenor saxophone reeds produced by Rico. Characterist of the Rico Royal is its traditional French filed cut for increased response, especially in the low register of the saxophone.
That`s my choice, but what is yours? Post your answer in the comment section of this blog, and please, join my blog.
Tuesday, May 24, 2011
Arguments on When a Jazz Fest is, or is not a Jazz Fest
The couple of days ago I came across an interesting on-line article in All About Jazz. I suggest you read the article by John Kelman, by going to http://www.allaboutjazz.com/php/article.php?id=39539 and see what he has to say. I also suggest you read the post and comments on Kelman`s article, which also led me to post three comments where I share my opinions.
So, what do I believe? I believe jazz festivals should remain jazz festivals, just as a blue grass music festival, rap, or classical piano festival should remain true to its audience and supporters. In John Kelman`s article entitled - When is a Jazz Festival (Not) a Jazz Festival? points to non-jazz artist participating in jazz festivals around the World, which goes against my belief, and understanding as to what a jazz festival is. Of course festival organizers deal with the complex issues around funding jazz festivals, with both private and public resources; money. Should festival organizers by-in to corporate dictates regarding jazz festivals by allowing festivals to resemble pop concerts, or should organizers maintain an artistic integrity of a 100% jazz festival.
I am interested to read what you think. please leave a comment this blog.
So, what do I believe? I believe jazz festivals should remain jazz festivals, just as a blue grass music festival, rap, or classical piano festival should remain true to its audience and supporters. In John Kelman`s article entitled - When is a Jazz Festival (Not) a Jazz Festival? points to non-jazz artist participating in jazz festivals around the World, which goes against my belief, and understanding as to what a jazz festival is. Of course festival organizers deal with the complex issues around funding jazz festivals, with both private and public resources; money. Should festival organizers by-in to corporate dictates regarding jazz festivals by allowing festivals to resemble pop concerts, or should organizers maintain an artistic integrity of a 100% jazz festival.
I am interested to read what you think. please leave a comment this blog.
Monday, May 16, 2011
My Thoughts of Meek`s Cutoff
Meek`s Cutoff takes place during the early days of the westward migration on the Oregon Trail around 1845. Meek`s Cutoff is a story of three wagon teams of families making the journey West, but hiring an "experienced" mountain man - Stephen Meek. As it turns out, Meeks` claim of being an experience mountain man who knows of a short cut to get these three families West puts them in danger of hunger, thirst, and an erosion of faith. As time goes on they cross paths with a Native American, who they capture. The story is interesting because it places these three families in a situation of who to trust; an unreliable guide, or a man these emigrants deem as their natural enemy.
I enjoyed the rugged and untamed scenery of the West, which provided the tension and practical problems these families had to face. Wordrob and props seem to be very authentic, especially the period musket. Also well done was the acting of the main chacters; Michelle Williams, Bruce Greenwood, Will Patton, and Rod Rondeaux as The Cayuse.
Unfortunately I found Meek`s Cutoff to be very slow paced. Also of concern of mine was the ending. Meeks`s Cutoff cannot be accused of exploiting the basic Hollywood ending, but the ending just kind-of left us hanging. I am sure that was Director Kelly Reichardts` intent, but it just did not work for me. As for the film overall, Meek`s Cutoff is not making my list of favorite films.
I enjoyed the rugged and untamed scenery of the West, which provided the tension and practical problems these families had to face. Wordrob and props seem to be very authentic, especially the period musket. Also well done was the acting of the main chacters; Michelle Williams, Bruce Greenwood, Will Patton, and Rod Rondeaux as The Cayuse.
Unfortunately I found Meek`s Cutoff to be very slow paced. Also of concern of mine was the ending. Meeks`s Cutoff cannot be accused of exploiting the basic Hollywood ending, but the ending just kind-of left us hanging. I am sure that was Director Kelly Reichardts` intent, but it just did not work for me. As for the film overall, Meek`s Cutoff is not making my list of favorite films.
Sunday, May 15, 2011
Urban Theatre
About a week ago I received a newsletter from Shawn P Entertainment (May/June Newsletter), and I was truly captured by Lanette M. White`s post entitled L-BOOGIE SPEAKS...The State of Urban Theatre. Go to http://wp.me/pJ4c3-aA to see the post that I agree with.
L-BOOGIE SPEAKS points to the quality of urban theatrical productions by saying there is a downward spiral of productions regarding scripts, and acting. It does seem as though the majority of African-American productions are centered around a "Big Mama"; the Black Church, and a "Boys in the Hood" theme, with clownery, or loud and out of control behavior. Don`t get me wrong, I think these productions should be staged, but as L-BOOGIE SPEAKS ask; can we be more creative with our presentation? Do we have other stories to tell other than big mama, the church, and the hood? I think we do.
L-BOOGIE SPEAKS points to the quality of urban theatrical productions by saying there is a downward spiral of productions regarding scripts, and acting. It does seem as though the majority of African-American productions are centered around a "Big Mama"; the Black Church, and a "Boys in the Hood" theme, with clownery, or loud and out of control behavior. Don`t get me wrong, I think these productions should be staged, but as L-BOOGIE SPEAKS ask; can we be more creative with our presentation? Do we have other stories to tell other than big mama, the church, and the hood? I think we do.
Sunday, May 1, 2011
Spend Some Time With Continuum Jazz Ensemble
Just finish rehearsing with Continuum Jazz Ensemble a few hours ago, and I tell you; you gotta come check us out. Continuum Jazz Ensemble features the artistic performances of leader, and drummer Dave Cheney, Ian Bigsby on guitar, Miles Butterfield on bass, and myself - Keith Gamble on tenor saxophone and flute. Continuum Jazz Ensemble is scheduled to play the following places:
Baker`s Keyboard Lounge, in Detroit - May 5, 2011, from 7-11:30pm
Baker`s Keyboard Lounge, in Detroit - May 19, 2011, from 7-11:30pm
Scarab Club, in Detroit - June 18, 2011, from 7-11:00pm
SterlingFest, in Sterling Heights, MI - July 28, 2011, from 10am-1:00pm
If you come out, you`re going to hear some exciting music from a wonderful band. Continuum Jazz Ensemble is a must see.
Be on the look-out for our upcoming CD; it should be out by our June 18 Scarab Club performance. If you have purchase my CD - Meaning, Truth, and Understanding (available online at http://www.keithgamblemusic.bandcamp.com/, and Street Corner Music at 26020 Greenfield, Oak Park, MI ) you will hear Continuum Jazz Ensembles` interpretation of my composition Side Effects. We`re looking forward to seeing you at our performances.
Baker`s Keyboard Lounge, in Detroit - May 5, 2011, from 7-11:30pm
Baker`s Keyboard Lounge, in Detroit - May 19, 2011, from 7-11:30pm
Scarab Club, in Detroit - June 18, 2011, from 7-11:00pm
SterlingFest, in Sterling Heights, MI - July 28, 2011, from 10am-1:00pm
If you come out, you`re going to hear some exciting music from a wonderful band. Continuum Jazz Ensemble is a must see.
Be on the look-out for our upcoming CD; it should be out by our June 18 Scarab Club performance. If you have purchase my CD - Meaning, Truth, and Understanding (available online at http://www.keithgamblemusic.bandcamp.com/, and Street Corner Music at 26020 Greenfield, Oak Park, MI ) you will hear Continuum Jazz Ensembles` interpretation of my composition Side Effects. We`re looking forward to seeing you at our performances.
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